I’ve been shooting with film since I started photography; it’s the best way to learn the basics! Film wedding photography provides a timeless, classic look while having the grainy texture, depth, and dreamy quality that is hard to replicate with modern-day digital photography. A lot of couples are drawn to my cinematic wedding photography for its nostalgic look, a lot of which is created through the film I use. I typically include 1-2 complimentary rolls per wedding. When it comes to film vs wedding photos, I always shoot digital photography as well, as it is important to capture every special moment- especially when things are moving at a faster pace!


Minolta TC-1 (Point-and-Shoot)
I love point-and-shoot film cameras for weddings! The Minolta TC-1 in particular is silent, compact, and has great built-in lens quality. It’s perfect for candid moments, such as cocktail hour or on the dance floor- because you don’t need to take the time to manually focus as you would on a standard SLR film camera.
Canon AE-1 + 50mm f/1.8
My go-to 35mm film wedding camera is the Canon AE-1. This easy-to-use SLR is great for portraits, details, getting ready, couples portraits, and everything in between! Canon AE-1 wedding photography, along with the 50mm 1.8 lens, allows for creative flexibility with manual control. You can be imaginative and intentional with cinematic storytelling with this beloved editorial film tool.

Portra 800 – My Favorite Wedding Film
Portra 800, in my humble opinion, is the best film stock for weddings- due to its versatility. It’s flexible in low light for indoor receptions, without being overly grainy. It’s soft on skin tones- with yummy, creamy highlights. It handles mixed lighting beautifully. I could go on and on, but these are just a couple of reasons why Portra 800 wedding photography is my forever go-to.
Ultramax 400 – Best for Daylight
Kodak Ultramax 400 is my favorite affordable film when it comes to daylight wedding photography. The colors always come out bright, punchy, and fun. It works very well for bright outdoor daytime ceremonies, and candid, getting-ready bridal portraits- providing slightly contrasty and nostalgic vibes.
Lomography 800 – Experimental & Creative
Lastly, I want to talk about shooting with the film stock Lomography 800 for when I want a more experimental and creative feel for the wedding film. Out of all three films discussed, this one has the most unpredictable, artistic vibe, with fun, unexpected color shifts. It’s good for fun couples who want a little something different!
I typically shoot 1-2 complimentary rolls of film per wedding. If a couple is interested in adding more, that is always an option. I just add on the cost of the film + developing. I use film intentionally, not for coverage. I focus most often on emotional moments and editorial portraits. Film is a great compliment to digital, but not a replacement for it.
Film is all the rage right now (frankly, it never went out of style- more people are just catching on to its awesomeness). It’s “perfect” than digital photography, and more emotional. The nostalgic aesthetic matches editorial, Vogue-inspired weddings.

Yes! For couples (most) who value artistry and storytelling, shooting film wedding photography is 100% worth it. Film elevates any wedding gallery and always adds some standout images. When it comes to film versus digital wedding photography, film is less about volume, and more intentional, slower, and curated storytelling.
I include film in my wedding collections and am always happy to talk through how film can be incorporated into your day. If you’re drawn to cinematic, editorial, and nostalgic imagery, film might be the perfect addition to your wedding photography coverage.
Inquire here to book your date and learn more about film coverage.